A page from the biking philosopher’s notebook

– for Jennifer

As it is written
In the paws of a dog
In the sudden life arc of a spider
Things come to being out of thought:
From the imperative of their intent 
They come to life
Stretch forth in being what they are
Without a thought of being something else
And everything about them—form and function
(As paws that twitch and dream of running, digging)
Enacts that impulse which has brought them forth
And brings them forth again in every moment.

In the ephemera we call this life
Where things and plans dissolve so fast
Like dreams
Some thought that runs
Much deeper than our conscious mind
Calls forth a force
More steadfast than it seems
That orients our being to its course
Aligns our lives with our desires
And pulses us through underlying pattern
Our hands, our thoughts, and everything we are.


©Wendy Mulhern
August 11, 2011



City Musings

I started to compose a poem in my mind as I walked down the city streets to the basement office where I volunteer every other week.  The idea seemed good, and I had the first two lines and the framework for several more.  I thought they would come quickly back when I could sit down and write them.  But at the office other things came up, and I didn’t get to think about the poem till I got home.  And then it was something like waking up from a dream that had seemed very profound but that I couldn’t make sense of at all.  I remembered a few words but not how they came together.  After I thought I would give up, it came together, though I think it’s quite different from what was in my mind earlier:
Bully without a pulpit
I walked, entreating the collective mind
Look: who you are is not defined
by what you buy, or tastes refined
through careful choice of things designed
to show your status and proclaim
alignment with some product’s name
I stepped into the crosswalk, feeling wise
to turn from all the billboards for the prize
of seeing how much better we are known
for what we’ve striven for, what we have honed
through stretching into what the day demands
through what we make with our own hands
I liked my words – I thought they would compel
except I didn’t know who I could tell.


©Wendy Mulhern
April 11, 2011



Time, and time again

Tomorrow begins National Poetry Month, and today I spent some time on poets.org, following links from their Poetry 101 page, looking at their list of poets who have defined the poetic landscape, hungrily pouring input into the cavernous gap of my ignorance. Later, while I was scrubbing the tub, I thought of two sentences: “It was so old, I was surprised to find it true;” and, “It was so true, I was surprised to find it old.”  They reflected a feeling I got while reading the poems – that our sense of literary time is different from our sense of current time, though both are real in their ways.  As a child, I mourned my lack of the landscape of stories, wishing to trade my suburban environment for the woods, the meadows, the villages that I found in books. Now these things are even further from current experience, but they seem to live on in our language of imagery.
Story Time
One part of life moves through the surface day
the texting, facebook, groceries, price of gas
Another part moves half submerged
through caves and pools of leavings from the past
This memory, this story, this impression
from which we make our maps, decide our goals
was formed before today’s brash supercession
erased the landmarks, swept away the trails
The little house, the woods, the town – all gone
The farm, the friendly neighbors, wilderness
The landscapes we imagine can’t be found
within this GPS’d and fractured place
But still we walk these paths, in stories, dreams
Within our inner world their presence gleams.


©Wendy Mulhern
March 31, 2011





Thoughts make themselves known

If I hadn’t tried to write it in a poem, the thought, a little glimmer, would have expressed itself in far different ways.  Did, in fact; I wrote a page in my journal about cleaning the house while thoughts hovered just at the edge of my accepting them – borderline negative, but held at bay by some impervious membrane.  I came to the place of seeing how much the same we all are, for all our sense of singularity and frequent isolation.  We all need to bring forth that within us which makes us who we are.  In poetry, it came out like this:
There is no existential fact of night
the word speaks of the endless depth of space
the field wherein the play of stars is staged
Each star gives tribute to the light
Each star must serve the existential light
the pulse within, essential churning force
which rises out of need and tumbles forth
We see their sharp travail across the night
We see their offering across the night
and know we, too, must ever do the same
we too must birth our inner urgent flame
Each life gives tribute to the light.


©Wendy Mulhern
March 12, 2011


Cricket in a Grass Cage

I turned on the light and went into the cold room, closing the door behind me.  I opened the sliding closet door and, on my knees, began to take the shoes off the plastic box.  Why, I asked myself, do you keep your writings in a box that is so hard to get to, and whose lid is so hard to open – as I wrestled with the tightly snapped-on plastic.  
I was looking for a poem I wrote in high school.  I remembered most of it, and remembered writing it, how the phrase “cricket in a grass cage,” had just come to mind, and how the words had effortlessly unfolded from there, revealing their story.  I was thinking about how, though the sentiment wasn’t one I had striven to express, it seemed true enough at the time.  And how, though I hadn’t acknowledged it then, the poem was probably influenced by Dylan Thomas’ “Fern Hill,” a poem my mother loved and had shared with me.
The copy that I found was one I had prepared to submit for publication, and I had changed some words from the ones I remembered, and had left out a stanza to make it more taut (so I thought).  But the missing stanza was one that, for me, drove the rhythm and feeling of the poem, and left its strong mark on my memory, so I put it back.  
The poem has the sensibilities of a high school student, but I still like it.
Cricket in a Grass Cage
Before myself, we used to fly
And walk life’s mountain paths
Our step was sure and we were strong
And we could see forever
There was no limit
All we knew was hinder-free
High bouncing or whatever
In a never-time or instant
Life was sweet – we learned to sing its song
In timeless – free and easy – laughter
And in tender caring, tears
With joy and softly knowing, never fears
But slowly or with crashing 
Came myself, and I am here
And time was thrust upon a soul
And ticking limits hold my flight
They measure out the tune
All is chained except the spirit
And I am here
With no free movement very far
With no free will to go or stay
So little to express my being
With only me to say I am.
And so I sing my song
Like a cricket in a grass cage
With all the glory of the meadow
Confined in this precise bamboo.


©Wendy Mulhern
Spring, 1974